picking at scabs
Picking at scabs
If I stumble across fame
with a fortune that hasn’t came
from my back or my brain,
then I’ll look
for the nearest lost and found
to return it,
and when they ask
where I’d like the reward sent
I’ll give them a fake address
because it wouldn’t have meant
anything to me.
At a car dealership
I saw a glimpse
of what my life could be,
a couple that didn’t enjoy
their own company,
but were simultaneously
afraid to leave,
“I spend two hours in traffic,”
the man said looking from the salesman to me.
“I don’t care what it is,
it just needs to be comfy.”
If the opposite of life is death,
then the hypothesis of creativity
would suppose that it’s about
a broken heart trying to fill its own need,
the skin when you tear it bleeds,
dig in the ground and eventually
you’ll find a river underneath,
like online dating
and the thought that
you’ll find someone capable
of emotional stability.
“Yeah, but were all busy.”
“I know,” I say
as I picture what it’d be like
for you to be across from me.
“How’s your quarantine?”
The three dots in the left hand corner
tell me that she’s typing,
but I can’t wait
for another disappointing first date
and instead take an attempt
to dissect our shared narrative formally.
“It’s like the food line below my apartment this morning,
a man with a clipboard and a blue mask
checks in other men that look like him,
‘One?’ ‘One?’ ‘One?’
Styrofoam plates just before eight
on a black man’s mourning,
all-day IPA is half the toxicity of malt liquor
and what privilege affords me
is meant to be for some
only a quick release from the system
in which they are damned.”
“A lot of this is tied up in our history.”
“Yeah,” I say.
“But don’t you think
each one of our families have a story
and until we learn to write our own role
we’ll only be a background character
in a movie that no one will remember?”
“Ok smartypants,” she says.
“Which scripts have you thrown out.”
A piece of notebook paper
labored over with pencil,
written on and erased,
I tear it out,
crumple it up,
and throw it away;
writing is an attempt
to define the skin that we’re in,
a collective experience
that’s like being two beers in
and finally having the balls
to ask the girl you’ve had eyes for
to sing karaoke before she walks out the door.
A poet’s got to know the possibilities
and still hold onto to belief,
it’s his responsibility to get a win,
kiss some lips, and take some hits;
and when a conflict gives him a wound
he’s got to watch the timelapse begin
and just as it’s ready to heal
he’s got to pick the scab
because the pain has to be fresh
as scar tissue can’t feel.